"Realistic fallacies" – a couple of quick notes

1. The thought that literary or artistic realism means describing reality "as it is", objectively and "as such". Did any writer ever seriously and without any reservations think he or she could do that? The heterogeneous abundance of "the real world" cannot be captured as such; selection and decision are always needed as to what are the details to be portrayed, and which is the significance of each, and which method of description is to be chosen, or how to "filter through oneself" the reality to which one is subjected.

2. Another aspect of the same. The idea that realism (in arts and literature) is actually impossible, because while its objective is to portray reality directly and without significant intervention on the artist's part, there is no common reality, only various subjective realities. This notion is a confused relativism and a – either sophomoric or preconceived – misunderstanding of what "postmodernism" (whatever that is) and "deconstruction" (whatever that is thought to be) are trying to argue. We should read our Derridas more carefully and begin with his early work on phenomenology (on Husserl, and also the critical essay on Levinas) – the deconstruction of logocentrism is far from being a refutation of all objectivity and intersubjectivity – rather, Derrida shows how writing is actually the precondition of objectivity and intersubjectivity, and that the living presence incarnated in "hearing oneself speak" is actually menaced, haunted by the form of absence that is implied by writing – and thus by that which makes objectivity and intersubjectivity possible, at the cost of dissolving the living presence! It is a shared reality indeed, and this constitutes an essential tension between "the world" and "the origin of the world", which is in each case unique – deconstruction is not a form of refutation but a way to affirm aporia and undecidability, to keep the tension alive.

Instead of "reality" as such, an artist's object or her subject matter is "the reality of experience", as for Stephen Dedalus, to "encounter for the millionth time the reality of experience and to forge in the smithy of [his] soul the uncreated conscience of [his] race" – you can replace the word "race" with "generation" if you will, as Eliot did.